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Film Crew

Direction

I direct theatre and on-set commercial content, bringing a dual perspective as performer and creative strategist. My background in theatre, music, and social-first advertising informs a practice that balances artistic vulnerability with production realities, including, when required, psychologically informed approaches to sensitive material.

I’ve concepted and directed social campaigns for Charlotte Tilbury and ASOS, collaborated with Plastic Pictures on brand film-led projects, and drawn on experience with ITV and Fremantle Media to build collaborative, considerate sets. I also mentor young creatives through Soho House, Creative Mentor Network, Brixton Finishing School, and as an ambassador for BEAT.

I am expanding into screen direction, with TV and film projects moving into pre-production for 2026, while continuing to develop contemporary, performance-led theatre through the Director’s Cut Theatre Company.

Across all mediums, I focus on narrative clarity, performer trust, and creating spaces where artists can deliver their best work.

Intimacy Coordination

Alongside directing, I develop my practice as an Intimacy Coordinator, informed by my performance background and on-set experience in advertising and social content. This work shapes safe, psychologically aware environments, balancing vulnerability, boundaries, and ensemble dynamics.

I was introduced to Intimacy coordination through the National Film & Television School with Yarit Dor, and continue to refine my skills through RC-Annie’s Intimacy: The Formula and ongoing theatre and commercial practice. My approach integrates performer consent, creative clarity, and open communication with directors, producers, and talent.

I support productions across theatre, film, TV, and advertising, providing frameworks that ensure safety, clarity, and artistic integrity throughout the production process—from consultancy and choreography to on-set guidance.

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Offerings & Work

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Offerings

  • Theatre & Intimacy Direction (new writing, rehearsals, staging, performance-led exploration)

  • Creative direction for social-first advertising

  • Concepting and directing content for beauty, fashion, and lifestyle brands

  • Story development, casting collaboration, and performance coaching

  • Early-stage development for TV and film direction (2026 projects in pre-production)

Training & Qualifications

  • Intimacy Coordination — NFTS (Yarit Dor); RC-Annie: Intimacy – The Formula (Dec 2025)

  • Directors’ Training — Director’s Cut Theatre Company

  • DEI, Access & Inclusion — ScreenSkills, High Speed Training, BECTU & Right To Be

  • Mental Health, First Aid & Safeguarding — Hart L&D, ScreenSkills

  • Safety & Industry Credentials — CRISP (BECTU) Creative Industries Safety Passport, Creative Industries Safety Passport (ScreenSkills & IOSH)

  • NLP Practitioner — Centre of Excellence

  • Mentorship & Ambassador Roles — Soho House, Creative Mentor Network, Brixton Finishing School, BEAT

  • Leadership Training — Ex-Olivier Mythodrama Transformational Leadership

  • Certifications available upon request.

*Certifications available upon request.. I hold a CRISP (BECTU) Creative Industries Safety Passport (ScreenSkills & IOSH), ensuring I bring recognised training in safe working practices to support cast, crew, and production teams on set.

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Current & Future Work

Direction (Theatre):

  • Right to Write – Fairyland by Pete Talman — Park Theatre, Dec 2025

  • The New Jesus by Jon Redmond Carroll — Park Theatre, Dec 2025

  • Flying Pigs by Lydia Cashman — Winter Spell, Park Theatre 2025

  • Direction Shadowing: Dracapella — Dan Patterson & Jez Bond

2026 Work

Screen Projects:

  • TV and film directing projects progressing into pre-production (to be announced).

 

Intimacy Consultancy (Pre-production):

  • You’ve Gone Quiet — Cerys Evans

  • Unlawful — Keith Orton

  • Film & TV projects (additional 2026 announcements forthcoming)

 

Contact

If you’re interested in working together, please get in touch.

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